"The old formats are dead! Long live the old formats!"

We have been awaiting the death of movies, film, flickers, the studios, for decades now, but looking at the boxoffice figures for 2009 we can see that it was yet another stellar year for the industry. The thing that continues to change is not the appetite of the movie going audience but how they "see" film, how they view movies not only in the theaters but at home as well. The 2009 holiday shopping season saw the rise, not only in the number of advertisments but in sheer tonnage moved out the door, of Blu-ray high definition movie players and large flatscreen tvs, showing once again that if you make quality goods affordable to the middle class, technology, and peoples tastes, will change.

I am happy, once again, for the change. I like to stay a trend or two behind the bulk of humanity. I like to catch up after the parade has passed and reap the benefits of the discard pile. Right now is a grand time to be a film collector. VHS tapes for fifty cents a throw, pawn shop DVD's going for little more than a buck, second hand hi-fi players for under ten dollars and used dvd players for less than the price of a movie ticket.


For the time being I am not too worried about the imminent demise of Hollywood Video or Blockbuster rental stores. I am not struggling with the high cost of retail films or outrageous ticket prices at the door. I have my own "movies on demand" system going on at home 24/7 and have hundreds of movie titles to choose from. Let it rain, let it pour. The Futon Cinema is always ready to screen something new or old, and baby, if I haven't watched it before, it's all new to me.

Action!

Sunday, January 31, 2010

It's all about trust...

Lantana: a plant with colorful flowers that grows wild in and around Sydney, a plant that takes pride in winding and intertwining itself with everything that gets in it's way.

The final frame of movie Lantana was about as powerful of a bit of intertwined cinematic storytelling that I ever could hope to see in a motion picture drama. After almost two hours of white knuckle tension and red herring interplay by hopelessly needy, secretive couples and generally emotionally messed up people we witness the lead detective in the story and his wife dancing arm in arm to a soft Latin tune, something that they could never seem to do during the whole course of the film. It took a disappearance, an affair and the uncovering of a death by misadventure of a mutually known character for the inspector to finally break through his numbness and bawl like a baby, but, by then, it was already too late for him to salvage his life, let alone the love of his wife. So there he was, final frame, back in the arms of his wife, his lips poised and ready to being the marital games again but all the while his wife held herself back, the look in her eyes saying that she was a million miles away from both sex and his heart. With their mutual trust shattered, his arms became a vise, their damaged love a weight holding them both down and back from being whole, happy, passionate people.

Lantana, a wonderfully twisted, interwoven, award winning story out of Australia that delivers the goods on relationships, love, lust, isolation, secrets, betrayal, heartbreak, tragedy and hope, the kind of hope that dies a hard death once trust is broken.

Action!
Film review: Lantana:

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